Sarer Scotthorne – The Blood House

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The Blood House by Sarer Scotthorne

On The Blood House

These beautiful poems come from a bold, brave soul and a true poetic heart. A stunning collection
and a delicious read from start to finish.
Salena Godden; poet, writer and performer

Sarer Scotthorne’s meticulously documented psychodramas suggest their is no crevice of the human heart and mind that should not be visited. If you ever doubted the meaning
of artistic courage, read these poems.
Tim Liardet; poet

I felt the pulse, certainly;
the life, breath, exposure of nerve ends.
Iain Sinclair; writer, novelist, film-maker & poet

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A5, hand-made covers, each one lovingly put together with ltd. edition endpapers and a colour printed photograph of Sarer’s Blood House painting on the front… priced £5 + P&P worldwide.

The Blood House is reviewed by Andie Berryman on Sabotage Reviews here and by Steve Willey for his Transmissions Series here

Electronica sound artist Sheer Zed has been working with Sarer and Lucy ahead of their joint pamphlet launch on April 18th. Zed had this to say about a Whifferdill remix of The Blood House he’s put together as a taster for the gig… This experimental composition has been created from the readings of Sarer Scotthorne from her poems in The Blood House. The Blood House is a collection of poems by Sarer Scotthorne published on Hesterglock Press. I’ve been working with Sarer and Lucy Furlong on a series of ambient soundscapes for their poetry which will premiere at the Hesterglock Press launch night on 18th April 2015 at The Duke of York, Bristol, UK as a part of The Bristol Spring Poetry Festival.

Order by completing the form below price £5 + P&P worldwide. We use paypal, but if you don’t we’re sure we can work something out…

Some poems from The Blood House have already been published;

Sunday Morning Words was published in The Interpreter’s House and Vanguard Poetry Anthology #1, Soldier’s Dinner in Boscombe Revolution Issue 2, Why I Became A Geisha, The Moon and The Night and Repeating Patterns in A Cache and The Blood House in the Hydrazine. How We Got Our Name featured in a film with Andrew Hayes and Schoolboy’s Death Trio and Why I Became A Geisha in the film Semblance (dir. Albert Zhang).

 

 

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